LomiMonk

May

2014

La Piñata

Fernando emerges seemingly out of nowhere. He’s been around during the entire birthday party, visiting with this guest or that, greeting each family member, grilling the carne asada. Midway through the party he emerges with her, all blonde and curvy, her papier mâché pasted with a royal smile. All eyes follow him as he strings the rope through the loop on the roof of her head and finds a hanging height.

Quickly the younger children are shepherded into line by mothers and fathers, tios and tias. A stout stick materializes. It is time for the piñata!

[press play for an audio recording of the demise of this princess piñata]

Each child has a go beating the piñata beginning with youngest and progressing to eldest and strongest, each insisting the figure release the hidden candy within.

Styles of attack vary with each child.

Poking at her is an option and might release the candy sooner!

Hitting then from behind when they can’t see you could prove more effective…or at the very least relieve the guilt felt while pummeling a favorite character in favor of candy.

Fernando holds the piñata steady as she prepares for the next assault.

Sebastian gives his best effort to open up the piñata as his Tios and Abuelo look on.

Some piñatas hold on for a time but eventually all surrender to their fate and purpose. The princess is discarded unceremoniously as the children’s attention switches to their candy loot.

Jan

2013

Sketches: Preparation

In New Mexico, in the colder months – though not necessarily so – there continues the Hispano tradition of the Matanza. A pig is raised yearlong with the intention that on a special day, perhaps a birthday or an anniversary or a wedding, it is slaughtered, cooked, and consumed at a gathering of extended family and friends. On the first cold and eventually snowy morning in November Jaime awaits the signal from his Abuelo – his grandfather – to begin.

Dec

2012

Sketches: Be|Longing

Every “in” group creates an “out” group.

Sep

2012

Sketches: Leaner

I went to Pie Town, New Mexico this past weekend along with Dan Milnor from Smogranch, Charlene Winfred from Perth, Australia, and Flemming Bo Jensen from Denmark for the Pie Festival. The town is a stone’s throw from my late father-in-laws ranch and I’d been there many times before, to have pie and to have lunch. This time the annual Pie Town Festival was going on complete with pie eating contest, pie queen, horseshoe competition and all sorts of good family fun.

I also briefly met Arthur Drooker through Dan, who has been remaking the Farm Security Administration portfolio that Russell Lee made back in the depression. He calls it Pie Town Revisited. Really cool stuff. If you happen to be driving through Pie Town (!) the photographs are on display in the Pie-O-Neer cafe on the north side of the road. Worth a visit.

Personally, I prefer the Good Pie Cafe on the south side of the road where I found the fellows in the picture. I especially like their chocolate pie. My son likes the milkshakes.

May

2012

It’s not for me to know…

“It’s not for me to know; it’s for me to find out (discover).” This thought is what came to me as I browsed through some William Albert Allard images on the National Geographic site online. Allard, a 50 year contributor to the Geographic, is known for his incredible use of color as a compositional tool as well as his intimate stories in light other photographers wouldn’t choose to use.

What struck me as I looked at his images is how close he gets to his subjects. I’m not talking about positional distance, although he does that too. I mean how intimate the images become. It is as if he captures that essence of a moment that shows the subjects in all their three dimensional human depth. It is as if he manages to make an image from inside the subject’s defenses, from beyond the mask.

And even more, what Allard manages to capture in these images is not only the subject, but a piece of himself. And in doing so he captures a piece of me. Repeatedly I’ve found myself looking at an image thinking, “I know that feeling!” There is a piece of me in those images, and I imagine there is a piece of Allard, and of you too. That is good photography!

So why do I share all this? Well, I try to be better and better at photographing. I’m trying to learn what makes a good image and I’m trying to learn how to do it myself. A friend of mine suggested not too subtly that I not collect my own work but rather collect the good works of others. He suggested this mostly to spur along my artistic efforts, I know. And he has succeeded. So, I’ve been perusing the works of others including Allard, Steve McCurry, Larry Towell, Martin Parr, Yousuf Karsh and others. and I keep asking myself, “how did/do they do that?”

That question is not about the technical aspect of an image; I can figure that part out. It’s about the access; it’s about the edit; it’s about the moment; it’s about the intimacy; it’s about recognizing what matters out of all the uncontrollable chaos that exists in the world swirling around us all the time. And I realize, it is not for me to know by looking at others’ work; it is for me to discover – in the world, in front of my camera, in my images. These photographers managed to capture the images they did because they went seeking that intimacy. They let themselves become known and they let themselves discover others.

They got close, really close, and found that reflection of themselves in others and made an image of that. So, the question then arises, is how do I find that reflection of myself in my subjects, in the world? And show it?

Oct

2011

Picture Package (Balloon Fiesta)

As some of you may have notice I’ve taken a turn toward documentary photography as of late. I really like individual photographs and their power, but there is something in trying to tell a story in a series of images that really captures my creative imagination-and challenges me to no end!

I that vein I’ve really been captured by the idea of “Picture Packages”, the idea that Daniel Milnor (aka Smogranch) put forth in this post. Basically, he tries to capture a short series of images that can stand on their own as well as tell a story as a group. Also inspired by Daniel’s willingness to make the process of his latest project (New Mexico) open and transparent by posting his images, thoughts, audio and video on tumblr, I thought I might share my latest efforts at creating a series. Below is a series of images I shot at the Albuquerque International Balloon Fiesta yesterday (Sunday) morning.

I went into the Balloon Fiesta Park with a set of ideas that I wanted to capture and that really drove my intention. Along the way I discovered some other opportunities that presented themselves and fit well into my idea. Still other pictures seemed to fit in as I was looking through the day’s images later in the evening. I’ve more to shoot and more to share to make this story more complete, but I’m really happy with the results. I hope you like the images as well.