My Artistic Goals for 2011

photo courtesy of Angela J. Miller

It is a new year, this 2011, and transitions such as the new year are a natural time during which to reassess and plan for the future.  Many people at this time make resolutions.  I like to do something similar in that I like to create goals for myself.

You see, my training in psychology has helped me understand it is more beneficial to move toward something one might want than to resist something one might not want.  Resolutions are fine, but without goals, concrete goals, they are much more challenging to achieve.  Sometimes a simple shift in semantics is all that is needed: “by July 31 I will be smoke free” rather than “I want to stop smoking.”  The former denotes a movement toward a new state of being; the latter denotes a resistance toward a current behavior.”  Resistance creates stress; movement has energy, life, and a sense of possibility.  With this in mind I have created a list of achievable goals for this photographic year as well as the reasons behind them.

I am also posting this online, to the interwebs, to the world, to hold me accountable.  Goals have a greater chance of success if held accountable to someone else.  I know, I’m only accountable ultimately to myself, but it makes a difference to me to have stated these goals publicly, in a perhaps shaky voice.  Here they are:

  1. Create three Blurb Photobooks. I admit, I may be cheating a bit here as I just uploaded one yesterday, but I am motivated to create different outlets than usual for my photography .  Some smaller, coffee table, books for my home and office would be great, as well as a notebook or two.  I have ideas bouncing around like ping-pong balls in my head, so they need to come out.
  2. Enter three prints in gallery shows. Either by approaching galleries, coffee shops, bars, etc., myself, or joining other photographers in a small show, I intend to hang at least 3 prints in the public eye.  I’m doing this because I want to make sure I plan out a direction, apply some foresight, develop the endurance to see it through, and enjoy the final presentation.  It’s scary to me and perhaps that is why I should do it.
  3. Enter at least one print in a juried competition. Friends have entered their work at the state fair competition and annual NM photographer competitions and I have admired their courage.  I want some of that for myself.  Guess how you get it?  Plus, I think the feedback I might receive, positive or negative, will be helpful in pushing my photography forward.
  4. Complete a photographic project for someone else. Last year I shot my brother’s production plant and it was one of the hardest photographic challenges.  Working for someone else’s expectations photographically is not something I like to do.  This challenge will either confirm that I’m not a photographer for hire, or it will push me to develop and trust my skills and instincts so I can do so successfully.  I hope the latter happens.
  5. Support another artist. I love that art exists and therefore I need to support it’s process.  That being said, I intend to give to the artistic community locally by either providing some needed photographic work for free, teaching a skill, developing something creatively in conjunction with the artist, etc.  It’s about giving back.  It’s time.
  6. Learn more about black and white photography. I just love black and white photography and want to use it more purposefully.  So this year I intend to read at least 2 books about black and white photographic technique and theory as well as spend at least one solid month shooting solely in black and white.
  7. Post at least 100 blog posts over the course of the year. That’s about 2 posts a week.  That’s not a lot in blogging terms but my goal is consistency and good content so I hope to follow through and surpass this number.
  8. Do photography for fun. I listened to business manager Corwin Hiebert’s interview on a podcast by Faded & Blurred the other day and he reminded me of why I picked up a camera in the first place.  I admit, I got a bit sidetracked by wanting to succeed.  The unfortunate thing is that in order to define success it is easy to fall into the trap of quantifying success, and that leads to trying to make money(dollars being wonderful quantifiers).  So now, having realized I fell into that trap a bit, I intend to remember that I do photography for the love of telling and seeing a visual story.
  9. Lose ten pounds. I know, this doesn’t seem photography related.  But if I attempt to separate photography from who I am and how I feel, both about my environment and myself, then I’m not doing so good.  The extra 10 pounds make me feel crummy.  I want to be leaner; it will reflect in my images.  I’m going to lose 10 pounds.

How about you?  Do you have photographic goals for the year?  Is there something you want to do with your photography?; something/one/where you would like to photograph?  Some aspect of photography you would like to learn?

Posted by Brian Miller in Creativity, Monochrome

Inspiration Monday: Daniel Milnor @ smogranch

This is the 18th in my series of post about people, ideas, images, art, creatives, that inspire me to continue on this journey of artistic creation through photography.  Today’s post is about someone I’ve just discovered through the link-mania that is Twitter: Daniel Milnor and his website and blog, www.smogranch.com.

Daniel had me hooked right from his tagline, “breathing the photographic dream with Daniel Milnor.”  If this isn’t a tagline that speaks straight to my heart, I don’t know what is.  And poking around his site is an experience much like what Daniel puts front and center: a big breath of much needed fresh air.

I want to say that Milnor’s approach and photographic style are sweet, kind, encouraging, supportive, grounded, creative…but all these adjectives somehow fall short.  His approach is soulful and solid and he appears to connect with his subjects and his photography with a gentleness and playfulness that is rare in today’s .jpg world of photography.  I dunno, maybe that’s why he shoots film.

In one recent post, I can’t find the reference now, he encourages his readers to let their art, their photography, breathe; to get their images off the computer screen and into frames, into photobooks, oonto canvas, out in the light of day rather than trapped in the electronic prison of 1’s and 0’s.  Well, yep, I was moved (who can resist after he posts images of his beautiful book-form creations!) and spent the next 6 hours creating a notebook on Blurb.com.  I just loved it, I felt so energized, inspired.  And just think, this inspiration was as simple as breathing in a bit of Daniel Milnor and smogranch.com.

I’m revisiting this blog post after spending some more time with Milnor’s blog, reading through some of his posts more carefully, quietly, slowly.  And you know, he does seem to be calling me to slow down.  Yes, I know it sounds trite, but good, soulful, writing like this-whether intended or not-slows me down and makes me believe I am the only intended audience.  It feels like a letter from a good friendIt makes me glad I know him.  And it makes me want to be like him-a kind of “I want to be like him when I become a grown-up photographer” feeling.  Nice!

And Blurb.com made a short docu-movie about him, and right in my own backyard too:


Posted by Brian Miller

Home at last

Well, I am home now.  We arrived back in Albuquerque from the Mayan Riviera, after two and a half weeks of sun, sand, shorts, and flip flops, to snow and sub-freezing temperatures.  Culture shock!  Still, after entering our house (and turning up the thermostat), my wife and I let out a little collective sigh of relief.  Home.

After two and a half weeks abroad, in several locations, with two very young children we are happy to be able to reset their schedules and get back to some semblance of a routine.  She will breathe easier; they will breathe easier; I will breathe easier.

Photographically though I am left wondering how to successfully mix parenthood, work, and photography.  I had looked forward to the time off so I could spend some quality time with my children as well as some quality time photographing.  I found the latter quite challenging and I came home feeling rather unsuccessful in getting some good photographs.  I even had thoughts of putting photography on the back-burner as I am not willing to trade the limited quality time I have with my children for my hobby.  My goal is to be an involved and available father and so photography has its place: after my family.

Still, I did have a few focused photographic outings and I am so far happy with my first glance through the unprocessed images.  So perhaps my perspective and my production are out of kilter at the moment and perhaps some work on my perspective are in order.

This is timely.  Each year I find myself being particularly introspective during these winter months and apparently this year is no different.  My blogging friends Sabrina Henry and Chris Plante, among others, have posted reflective and goal-setting thoughts recently and I thought I might put my introspective months to good use and do the same in the following posts.  In the meantime I hope you enjoy these few shots from my recent trip.  These are just a few I managed to process so far; there a more to come.

The nearly full moon rose over the Caribbean sea the night of the lunar eclipse.

A new wooden pier was built right near the fishing cooperative.  I wanted to go out on it and photograph back toward the town of Playa del Carmen but they were unfortunately staining the wood and didn’t want anyone on it.

There are often musicians, mostly Mariachis, wandering through town singing songs to those who request them as well as approaching diners who sit in the restaurants.  A tip is usually requested after the songs have been played.  I used to find this annoying and marveled that the restaurant owners allowed them to enter the restaurants so freely.  But I came to realize there is a proud and joyful history of balladeers in Mexico and now I just love them.  I don’t know where these men were coming from or going but they evoke in me a fondness for Mexico.

Posted by Brian Miller

Topes y Tacos

I managed to squeeze a little time away today to shoot a few pictures, but not much.  This morning my older son and I managed to get out for a walk (actually, it was a shopping trip at the local market.)  While wiggling our way through some back streets we came across this set of topes.  Topes are Mexican speed bumps and they are all over this country!  Not just any speed bumps, these little babies will simply destroy your suspension (and perhaps your rims as well) if you don’t slow down to a near dead stop before going over them.

Now keep in mind, these were on a little traveled back/residential  street, but they have them right out in the middle of the highways as well.  Most foreigners discover them by accident after having rented a car and started driving around.

Later, while walking to dinner, we came across this new hotel.  Nothing else like this exists in Playa.  My wife keeps asking me if this is the “red light district…?”  There are scantily clad mannequins at each entrance, on the bar, and on each balcony.  Strange.

And finally we were able to have what I long for each time I come: tacos al pastor.  Roasted street side the pork is paired with a slice of pineapple, some pico de gallo, a hungry mouth, and a chilled cerveza.  I could watch this guy work all night.

Posted by Brian Miller

Vamonos!

I’m (we’re) off on a little voyage that I hope will produce some fun photographic results. “Hope” is the strong word here as traveling with my family (which includes my wife and 2 small children) is not something I’ve done before and I am not sure how much opportunity I will have to photograph. My longing is to be able to take memory card after memory card worth of images but the reality is more likely I will be spending a lot of time with my young children playing and connecting, and napping!

I’ve also stressed and fretted about what to bring on the journey. It’s the same old problem; I want to take enough gear to be able to capture the images I would like, and I need to travel somewhat lightly. In other words, I need the gear but it can get in the way: of the vacation as well as the images.

Still, I am excited. I have my new 85mm f1.8 to play with as well as both “The Hot Shoe Diaries” by Joe McNally and “The Photographer’s Eye” by Michael Freeman to read. I’m also taking my Nikon D300, my 50mm f1.4, my 18-135mm f3.5-5.6 lens, some close-up filters, my SB-600 flash, and my lightweight tripod. I was inspired to take less stuff by reading Chris Plante’s gear list for his recent trip to Cuba.

What I’m leaving behind: ( I struggle. I struggle!) I know I often write about doing more with less, but I struggle. I like gear as much as the next guy. It’s fun to play with. It feels good in my hands. It opens up new opportunities. But it also gets in the way and weighs me down. So, I’ve cut out the Tamrom 28-300mm f3.5-5.6 lens I normally take. I’ve shot with this a lot and it’s an OK lens. Not great, but it gets me in close and I tend to be a sniper with it, sneaking my shots. I want to connect more with my subjects so I’m leaving this home to force me to get a bit closer to my subjects. I’m also leaving my brand spanking new battery grip. It’s nice, I like it for portrait shots, but it’s not essential. So it stays behind. I’m also leaving my 40 inch 5-in-1 reflector kit. This one I really struggle with because I’ll be doing some family shots while there and this would be great to create some really nice light on my subjects but….it’s a bit too big and I don’t have a sherpa to hold it for me. Plus, leaving it behind will force me to get creative work with what I might have on hand. Stay tuned for what I come up with.

I’m also leaving behind the spare camera. It was either the spare camera or one of the kiddos, and the kiddos won out.

I hope you’ll check back soon and find some fun stuff from our little voyage.  I’m very excited.  Vamonos!

Posted by Brian Miller in camera gear

New Craft & Vision eBook: Light and Land

Online photography eBook giant Craft & Vision released a new ebook today that I am very excited to read. Michael Frye’s Light and Land: Landscapes in the Digital Darkroom is both a beautiful and technical read. The images he uses to illustrate his points are simply stunning images taken in and around Yosemite National Park.

What I like about this particular ebook is the explanation of the digital darkroom techniques that go into making the final image: the second part of the craft of photography that helps to fulfill the vision of the photographer. In addition, Frye’s images spur me to adventure by helping me to develop the skills to realize my dream of unique, creative, beautiful images of the natural world.

Special Offer on PDFs
For the first four days only, if you use the promotional code LAND4 when you checkout, you can have the PDF version of
Light & Land for only $4 OR use the code LAND20 to get 20% off when you buy 5 or more PDF ebooks from the Craft & Vision collection. These codes expire at 11:59pm PST December 19, 2010.

Posted by Brian Miller in Good Reads, Recommendations

15% Off Photographic Prints

A little bit of confusion today at this blog.  One of the risks of being inspired is the excitement if can create which can pop one’s level of consciousness out of “the moment” and into something else altogether.

I know I’m being cryptic and I apologize, but it’s all I’ve got at the moment. :-/ So for now I am still very excited about selling my images online and I am extending the 15% off sale on orders over $15 through Friday 12/17/10.  Just enter code BD8495 in the “Coupon” section of the cart when ready to check out.

Posted by Brian Miller

Prints and Cards for Sale

OK, so I’m writing this post with a short amount of time and perhaps lots to say.  I’m going to try to keep this from getting longwinded, but no promises.  K? K!

If you have been following along there have been changes to my blogging site and the creation of this new website.  It has taken a ton of work to get it going, especially since I’ve been trying to make the transition as seamless as possible so there are no real shocking changes but rather some really nice improvements.  If you have any feedback for me I would love to hear it.  Just drop me a line either at the end of this post or, for a more private conversation, through the “Contact Me” page.

There haven’t been a lot of images posts on the blog as of late, mostly because having two young children, a house, a job, building the website, and preparing for Christmas hasn’t left much time for shutter release button pushing.  That is going to change soon (I hope!) and there will be some more images.

In the meantime I am very excited to announce that images on the blog and website are available for purchase through my business partner Fotomoto.com.  This wonderful company has created a plugin that enables the images to be purchased directly from the view on the blog, or through my new “Purchase” galleries.  Just click on the “buy print” or “buy card” button above the image you are interested in.  There are lots of options available, including canvas prints, and the quality is really very good.  I am especially excited about the note cards as the samples I recently received came out better than expected. Stay tuned for a blog post showing them off soon!

As a little kick-off celebration I am offering 15% off all orders over $15 from now through Sunday, December 12th, 2010.  Just enter code 624E79 in the discount section of the shopping cart when you are ready to check out. Your chance to buy yourself a little something this season or order as a gift for someone else.

Posted by Brian Miller in Sale

Inspiration Monday: Sleeping Beauties.

You never know where you’ll get surprised and inspired.  You really don’t.  I guess that is why it is called a surprise.  But, you know, you’ve experience it at times: those moments when inspirations smacks you in the face like it was mana from heaven, an act of God, or some such.  This happened to me the other day.

I showed up for a meeting with a friend and out of the blue she presented me with a present: a book.  A photobook, to be more precise.   And a photobook of newborns at that!

This is not something I would normally have blessed with a passing glance, but my friend is pretty intuitive and she picked it special, for me.

Now don’t get me wrong.  I like newborns.  I have one myself, as well as a 2 year old, so I have been through the experience a time or two.  I even have produced a “Birth Book” for my eldest celebrating his creating and new-found existence and presented it to a grateful and interested audience of three; his mother, and his two grandmothers, (our current newborn will get one as well but our hands are a bit full at the moment.)  But, while I respect the skill it takes to photograph newborns, it is not the type of photography I normally am drawn to outside of images of my own kids.  But, I don’t know, my friend knows my soft side or something.

I wanted to cry.  That is how I felt when I first flipped through Sleeping Beauties: Newborns in Dreamland.  Written by twin sisters Tracey Raver and Kelley Ryden this book is a series of breathtaking, heartwarming, and humorous images of children aged 0-2 weeks old placed in the most adorable poses.  Each image is matched with a quote about children and parenting that speaks volumes with simplicity and directness.

Raver and Ryden are world renowned for their photographic work of newborns and are clearly masters of their craft.   They work strictly by natural light in their 85 degree Fahrenheit studio and produce the blankets, wraps, and slings in which the infants are posed.  I am moved and impressed with a newfound sense of what is possible when faced with photographing another cute baby in a beanie, even if it is only my own child.

So I encourage you, implore you, to check out this book.  Even if you only leaf through it at a bookstore, you will find a collection of very unique images created by skilled photographers.  This is not just another collection of pictures of cute kids (and we know, all kids are cute!)  No, this is some pretty amazing art that speaks to our hearts long before our minds have a chance to think up a reason why we shouldn’t be enjoying what we are seeing.

Posted by Brian Miller in Inspiration Mondays, Recommendations

Feeling Your Way Through Art

I have become more critical of my photographic work lately.  Much more critical.  I don’t mean self-critical in the way that many of us become thinking “this sucks.  I’m never going to be any good at it.”–though those thoughts do creep in from time to time like they do for most of us.  Instead I mean more discerning about what I would like to say with my photographs.  If photography can be a visual language, then what am I going to use my voice for?

You see, I feel I have become a decent snapshot-ist.  I can take some pretty pictures of people and places.  I can make memorable images (at least to me and my family) of my vacations and events that are important to us.  But this medium has the ability to do so much more and I would like to do that.  I don’t know how, yet.  But the process appears to have begun; I’ve become more critical of my work.

So how do I know if I am on track with an image?  Well, it has to feel right.  If images are a visual language, feelings are the receptor for that language.  My hope is to move others with my photography, and in order to accomplish this the core message of the images needs to be emotional in nature.  As a result the first question I need to ask myself when viewing newly created is, “what is this image about?”  The thing to keep in mind is that the subject and the subject matter of a photograph are different things.  The subject matter is the “stuff” in the frame of the image: the chairs, lights, raindrops, people, places, etc.  The subject is what that “stuff”, represented in that way, is pointing toward: an emotion; a theme.  The photographer will be aware of the difference while the snapshot-ist may not, at least not cognitively.

Knowing that images are processed in the right hemisphere of the brain and are therefore pre-verbal, perhaps even beyond verbal, can be helpful in discovering the subject of any individual photograph.  When making an image I have begun to ask myself “what is this image about?” and attempting to answer that question with short, one or two word descriptions: love; joy; hope; loss; transcendence; rage; resistance; innocence; growth; change; jealousy; peace or whatever.  While also helpful in encouraging my emotional literacy, this exercise is also helpful in making me attentive to my internal reaction to an external representation. This reaction of mine might be similar to someone else’s internal emotional response to the same image.

To put it another way, I have become aware that photography is a way for me to communicate my understanding of my experience in this world with others.  While I have been able to do so successfully with family and close friends (ie: those with similarly shared experiences) I am longing to communicate with others outside my own house, per se.  So I need to get more specific and universal with my languaging.

Can you see why I’ve become pickier?  It is not easy to do.  Yet, like most things worthwhile, it is valuable to do so.

How have you been pushing the envelope of your visual language and therefore of your creativity?  I would love to know.

Posted by Brian Miller in Creativity, Monochrome, Photographic Mindset